Irit Blumenthal is an accomplished abstract painter and graphic design professional based in New York City, where she has operated a studio for over 25 years. Her abstract paintings reflect a longstanding fascination with architectural form, harmoniously blending structural elements with expressive color and gesture.
Her work has been exhibited in solo and group exhibitions across New York, as well as internationally in Tel Aviv and Jerusalem. Blumenthal draws profound inspiration from her formative years in New York during the 1990s—a time marked by the city’s invigorating energy, bold contrasts, and creative intensity. She aligns her artistic vision with the ethos of the 1950s New York School and its abstract expressionist legacy, particularly influenced by figures such as Jasper Johns—whose association, via her mentor, significantly impacted both her technique and artistic rationale.
Blumenthal holds a Bachelor of Fine Arts in Architecture, earned jointly from the Bezalel Academy of Arts and Design in Jerusalem, and a Graphic Design certification from Parsons School of Design in New York City. In 1996, she further expanded her professional scope by founding Ibdesign Studio NYC LLC, a New York–based digital agency specializing in web design and SEO. Through Ibdesign, she has led numerous UX/UI and web development projects for clients ranging from restaurants to tailoring and concierge services. Additionally, Blumenthal has hosted open studios and curated group exhibitions in her studio, championing fellow artists and fostering community engagement.
Artist statement:
Much of my inspiration stems from my time in New York, particularly during the 1990s when I lived and studied there. The city’s energy, contrasts, and creative spirit have left a lasting impact on me and continue to influence my work. I’m especially drawn to the New York School of the 1950s, with its abstract expressionist approach, which resonates deeply with my own artistic vision. Artists like Jasper Johns—under whom my mentor once worked—and the broader legacy of that movement have shaped not only how I paint, but also why I paint.
